{"id":1956,"date":"2020-06-19T17:19:37","date_gmt":"2020-06-19T17:19:37","guid":{"rendered":"https:\/\/www.valerielemeur.com\/?p=1956"},"modified":"2024-08-20T16:54:28","modified_gmt":"2024-08-20T16:54:28","slug":"saint-paul-millenium","status":"publish","type":"post","link":"https:\/\/www.valerielemeur.com\/en\/saint-paul-millenium\/","title":{"rendered":"Saint Paul Millenium"},"content":{"rendered":"
\"\"<\/figure>\n\n\n\n
\n
\n

Acrylique sur Toile (73x60x2,5 cm) 1000\u20ac+livraison<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\u00ab\u00a0Lorsque j’ai commenc\u00e9 cette peinture, j’y ai vu l’opposition entre le religieux et le profane; entre le monde ancien d’une cath\u00e9drale et le monde r\u00e9cent du pont du Millenium; entre la r\u00e9alit\u00e9 et le d\u00e9cor de cin\u00e9ma. mais en peignant cette cath\u00e9drale et ce pont, j’y ai vu quelque chose de plus fort: ces bras blancs du pont semblent accueillir les passants pour les mener \u00e0 la cath\u00e9drale. Et en ces temps de crise sanitaire, de peur, de mort, j’y ai vu un signe de rapprochement et de protection. Par forcement religieux. Le ciel est d’un bleu \u00e9clatant, la peinture est lisse comme une protection; la cath\u00e9drale est baign\u00e9e de lumi\u00e8re comme un signe d’un Dieu protecteur, les immeubles aux pieds sont ancr\u00e9s dans la r\u00e9alit\u00e9 avec leurs couleurs vives et leur architecture un peu laide: on est dans la r\u00e9alit\u00e9 du quotidien. Les humains qui vont en direction de la cath\u00e9drale sont baign\u00e9s d’un voile blanc : ils ne sont pas une entit\u00e9 r\u00e9elle. Ce tableau est \u00e0 la fois protecteur (les teintes bleues et blanches), les bras du pont qui s’ouvrent aux passants et nostalgique (les ombres noires des humains).\u00a0\u00bb<\/p>\n\n\n\n

Painting: Acrylic on Canvas.<\/p>\n\n\n\n

Saint Paul Cathedral in London with the Millenium bridge.
The ancient world and the modern world are gathered together.

I’m not a religious person and at first I saw when I was painting the opposition between old time and recent times. Opposition between the religious and the non-believer.

While I was working on it, I saw something different: Saint Paul cathedral seemed to open its arms to the people and to welcome them to pray. In these times of fear and death, the episode of coronavirus, some people have turned towards religion to pray for themselves and others.

The cathedral is surrounded by a blue sky that protects it. The sky is smooth with no brush touch as usual: it’s a symbol of peace and calm. Something that smoothens the spirit.
The cathedral is obviously bathed in sun, like the circle of light surrounding some religious sculptures and paintings.
The buildings are darker and represent the reality: their base into the earth. And then, the arms of the bridge, light, bright and welcoming.
The people are not clearly defined, they are a bunch of impersonal humans, not the real topic of the painting.

The painting is peaceful and bright: like a protective bubble yet, anchored in reality.

ready to hang on a wall
+protected by bright acrylic varnish
+certificate of authenticity<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n


<\/p>","protected":false},"excerpt":{"rendered":"

Acrylique sur Toile (73x60x2,5 cm) 1000\u20ac+livraison \u00ab\u00a0Lorsque j’ai commenc\u00e9 cette peinture, j’y ai vu l’opposition entre le religieux et le profane; entre le monde ancien d’une cath\u00e9drale et le monde r\u00e9cent du pont du Millenium; entre la r\u00e9alit\u00e9 et le d\u00e9cor de cin\u00e9ma. mais en peignant cette cath\u00e9drale et ce pont, j’y ai vu quelque 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sur Toile (73x60x2,5 cm) 1000\u20ac+livraison \u00ab\u00a0Lorsque j’ai commenc\u00e9 cette peinture, j’y ai vu l’opposition entre le religieux et le profane; entre le monde ancien d’une cath\u00e9drale et le monde r\u00e9cent du pont du Millenium; entre la r\u00e9alit\u00e9 et le d\u00e9cor de cin\u00e9ma. mais en peignant cette cath\u00e9drale et ce pont, j’y ai vu 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